SEARCH RESULTS FOR: Papa Roach
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(Vocal/instrumental group, 1993–present) Stars of the nu metal era at the turn of the century, Californians Papa Roach – Jacoby Shaddix (vocals), Jerry Horton (guitar), Tobin Esperance (bass) and David Buckner (drums) – had to wait until Infest (2000) to break through, alongside the likes of Limp Bizkit. 2002’s lovehatetragedy saw increased sales, but by 2003’s Getting ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Kle’-menz nôn Pa’-pa) c. 1510–55 Franco-Flemish composer His given name was Jacob Clemens, and it is not known how he came to be called Clemens non Papa (one translation of ‘non papa’ is ‘not the pope’ – a rather unlikely mistake). He composed some works in his native Dutch, the best-known of which are the souterliedekens. These three-voice, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Trumpet, vocals, 1884–1954) Oscar ‘Papa’ Celestin was a much-loved New Orleans fixture, who started out with the Algiers Brass Band, under Henry Allen Sr. at the turn of the century. In 1910 he founded the Original Tuxedo Jazz Orchestra with trombonist William ‘Baba’ Ridgley. Celestin recorded with OKeh and Columbia in the mid-1920s, and his recordings ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, banjo, c. 1890–1938) New Orleans-born Charlie Jackson brought a jazzman’s sophistication to an instrument still too often overlooked by blues historians. He alternated single-string solos with percussive chording and dexterous fingerpicking, allowing him to bridge styles and genres with rare facility. He released more than 60 sides of his own, and he also recorded with Freddie ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, b. 1924) Along with Kenny Clarke, Max Roach shares the credit for inventing bebop drumming. When Clarke found himself drafted in 1943, it was Roach who emerged as the leading activist in the search for a drum style to suit the emerging melodic and harmonic complexities of the new music. He developed an approach that was both ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocal group, 1964–68) Singers Michelle Gilliam, Cass Elliot (real name Naomi Cohen), John Phillips and Denny Doherty had been part of the folk and fringe theatre scene in New York. On trying their luck in Los Angeles – where Phillips had made useful music industry connections – ‘California Dreamin’’ and ‘Monday Monday’ were recorded with session musicians underpinning the ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Rap duo, 1992–present) Smooth dressing, slick talking and devastatingly cool, Outkast – the duo of Antwan ‘Big Boi’ Patton and Andre ‘Andre 3000’ Benjamin – rapped their way out of Georgia in the mid-1990s. Their first four collaborative album efforts (released between 1995 and 2000) contained everything from straight Snoop Dogg gangsta rap, albeit with more brains ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

As the genre’s name so boldly implies, timing and image were both of critical importance to the realm of nu metal. In pure musical terms there was little to unite the scene’s leading exponents, save for the radical detuning of their instruments and a desire to distance themselves from such old-school hard rock favourites as Iron Maiden and Metallica. ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

In 1949, two apparently small events took place, which in hindsight were to have monumental significance for popular culture. The first of these saw Billboard magazine change the name of its ‘Race Records’ chart to the more relevant and politically correct ‘Rhythm & Blues’ chart, reflecting the success of the American dance music of the moment. Meanwhile, ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

(Vocals, composer, b. 1930) Lincoln caps her long, diversified singing and acting career as an iconic songwriter and performer. Her first record, in the 1950s, was with Benny Carter’s orchestra; in the 1960s she recorded politicized material with then-husband Max Roach. In the mid-1980s she re-emerged, paying tribute to Billie Holiday and embodying an African-American ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Songwriter, b. 1941) Strong was a Motown staff writer whose own 1960 hit ‘Money’ helped fund the label’s early expansion. His compositions with Norman Whitfield included ‘I Heard It Through The Grapevine’, and led Motown’s forays into more socially aware territory with hits like Edwin Starr’s ‘War’ and many of The Temptations’ psychedelic soul outings. Strong won a 1972 Grammy ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

The parents of William Lee Conley Broonzy were born into slavery. He was born in June 1893 in Scott, Mississippi, one of 17 children. Raised on a farm in Arkansas, Broonzy’s first musical instrument was a home-made violin, which he played at church and social functions. In the early teens he was an itinerant preacher, while ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, 1924–66) Bud Powell was the pre-eminent bebop pianist. His spare chords and asymmetric accents in the left hand combined with fluid linear inventions in the right hand to establish the foundation of the standard approach to bop piano playing. The mental instability and introverted character that dogged his life are often ascribed to a beating by the police in ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Drums, 1917–87) Bernard ‘Buddy’ Rich was a powerhouse drummer with a phenomenal technique, but he was also capable of great delicacy when required. He grew up in the family vaudeville act before joining Joe Marsala’s band in 1937. It was the beginning of a series of associations with major swing era bandleaders such as Harry James, Artie Shaw ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, b. 1929) Since the late 1950s, pianist Cecil Taylor has maintained a prime position in the pantheon of free jazz. He was one of the first jazzmen to jettison standard chord changes, fixed rhythms and expected ensemble roles in the interest of musical democracy. Taylor developed his unorthodox style while studying at New England Conservatory. Duke Ellington ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel
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